7ª Bienal do Mercosul

Pedro Reyes nasceu na Cidade do México, em 1972, onde vive e trabalha. Suas exposições individuais incluem, entre outras, as realizadas no Center for Contemporary Art, CCA Kitakyushu, Kitakyushu (2009); Bass Museum of Art, Miami (2008); Yvon Lambert, Paris (2008); Yvon Lambert, Nova York (2007); Aspen Art Museum, Aspen (2006); Seattle Art Museum, Seattle, Washington (2006); Carpenter Center, Harvard University, Cambridge, Massachusetts (2006); Arnolfini, Bristol, Reino Unido (2005); e la Galería Enrique Guerrero, México (2004). Entre suas exposições coletivas se destacam: Prospect 1. New Orleans, New Orleans (2008); Yokohama Triennale (2008); Escultura Social: A New Generation of Art from Mexico City, Museum of Contemporary Art Chicago, Chicago (2007); FarSites: Urban crisis and domestic symptoms in recent contemporary art, InSite, San Diego (2005); Declaraciones, Museo Nacional Centro de Arte Reina Sofia, Madri (2005); Come Closer, Künsthaus, Berlim (2005); Made in Mexico, UCLA Hammer Museum, Los Angeles e ICA Boston, Boston (2004); The Structure of Survival, Biennale Internazionale di Venezia, Veneza (2003); Independence, South London Gallery, Londres (2003); To be political it has to look nice, Apex Art, Nova York (2003); Shanghai Biennial, Shanghai (2002); Thisplay, La Colección Jumex, México (2002); Mexico City: An exhibition about the Exchange Rates of Bodies and Values, P.S.1/ MoMA, Nova York e KW, Berlim (2002); e 20 millons of Mexicans can´t be wrong, South London Gallery, Londres (2002), entre muitas outras.

Pedro Reyes nació en Ciudad de México, en 1972; donde vive y trabaja. Sus exposiciones individuales incluyen, entre otras, las realizadas en el Center for Contemporary Art, CCA Kitakyushu, Kitakyushu  (2009); Bass Museum of Art, Miami (2008); Yvon Lambert, París (2008); Yvon Lambert, Nueva York (2007); Aspen Art Museum, Aspen (2006); Seattle Art Museum, Seattle, Washington (2006); Carpenter Center, Harvard University, Cambridge, Massachusetts (2006); Arnolfini, Bristol (2005); y la Galería Enrique Guerrero, México D.F. (2004). Entre sus exposiciones colectivas se destacan: Prospect 1. New Orleans, Nueva Orleans (2008); Yokohama Triennale (2008); Escultura Social: A New Generation of Art from Mexico City, Museum of Contemporary Art Chicago, Chicago (2007); FarSites: Urban crisis and domestic symptoms in recent contemporary art, InSite, San Diego (2005); Declaraciones, Museo Nacional Centro de Arte Reina Sofía, Madrid (2005); Come Closer, Künsthaus, Berlín (2005); Made in Mexico, UCLA Hammer Museum, Los Ángeles e ICA Boston, Boston (2004); The Structure of Survival, 50a Biennale Internazionale di Venezia, Venecia (2003); Independence, South London Gallery, Londres (2003); To be political it has to look nice, Apex Art, Nueva York (2003); Shanghai Biennial, Shanghái (2002); Thisplay, Colección Jumex, México (2002); Mexico City: An exhibition about the Exchange Rates of Bodies and Values, P.S.1/ MoMA, Nueva York y KW, Berlín (2002); y 20 millons of Mexicans can´t be wrong, South London Gallery, Londres (2002), entre otras.

Pedro Reyes was born in Mexico City in 1972, where he lives and works. His solo exhibitions include: Center for Contemporary Art, CCA Kitakyushu, Japan (2009); Bass Museum of Art, Miami (2008); Yvon Lambert, Paris (2008); Yvon Lambert, New York (2007); Aspen Art Museum, Aspen (2006); Seattle Art Museum, Seattle, Washington (2006); Carpenter Center, Harvard University, Cambridge, Massachusetts (2006); Arnolfini, Bristol, United Kingdom (2005); and Galería Enrique Guerrero, Mexico (2004). Among his group exhibitions the following are significant: Prospect 1. New Orleans (2008); Yokohama Triennale (2008); Escultura Social: A New Generation of Art from Mexico City, Museum of Contemporary Art Chicago (2007); FarSites: Urban crisis and domestic symptoms in recent contemporary art, InSite, San Diego (2005); Declaraciones, Museo Nacional Centro de Arte Reina Sofia, Madrid (2005); Come Closer, Künsthaus, Berlin (2005); Made in Mexico, UCLA Hammer Museum, Los Angeles and ICA Boston (2004); The Structure of Survival, Biennale Internazionale di Venezia, Venice (2003); Independence, South London Gallery, London (2003); To be political it has to look nice, Apex Art, New York (2003); Shanghai Biennial, Shanghai (2002); Thisplay, La Colección Jumex, Mexico (2002); Mexico City: An exhibition about the Exchange Rates of Bodies and Values, P.S.1/MoMA, New York and KW, Berlin (2002); and 20 million Mexicans can´t be wrong, South London Gallery, London (2002), among many others.